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| Gian Filippo Corticelli, Eugenio Cappuccio e Pietro |
Le riprese sono finite, restano dei fegatelli, come si suol dire in gergo cine-norcino, cioè pezzetti, frattaglie da girare, che si realizzano a fine film o a montaggio avanzato e che concludono la pietanza. Un foglio su una porta con un messaggio, una bottiglia di profumo che prende fuoco, dettagli...
Poi ci sono anche dei filetti, a background to turn the United States to put in chromakey behind the windows of a car, a romantic place to be behind Solfrizzi and Belen. But the big, the fatted calf, has now been killed and the cooks are preparing for the installation of the oven.
I write this post with the feeling that the browser returns to earth after months of pain and a sense of land inevitably comes over me. I still feel the vibrations and tensions of the waves that run the boat-film. The work goes on, but now it is to organize and assemble things piled up in warehouses at the port, because the new vessel to be launched will be able to win the final and most important crossing, that to the public.
thank everyone for their help and the crew with arrogance and professionalism have led the maritime boat right here.
I'm going to make myself a fry at this point, I got hungry ... shame not to be Savelletri!
PS From time to time let you know of sites that talk about the film that I liked.
soon and follow us, that the adventure has just begun!
Meanwhile I want to publish the photo of my son Peter that came to give me some advice as I turned to Savelletri, shot by our good photographer Andrea Cato.
also remind all that in my site a bit 'will be filled with content on this movie:
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| Corticelli Gian Filippo, Pietro and Paola Rota |
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